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As I am also interested in a Contour;
Is screen burn-in still problem with these OLED tv’s? And what is the expected life of such a set? Also considering a second hand BV11…
Half a year late to answer the question but here’s my advice for anyone wanting to clean a Beogram 1700:
The rectangular aluminium top plate can successfully be cleaned with a moist “Mr Magic” sponge. Will be like new. Don’t do this to the platter though! The platter has some kind of layering/ covering that can be easily damaged by enthusiastic cleaning. The (thin!) wood fineer can be cleaned with mild soap and after cleaning a treatment with bee wax or oil will restore colour and give the fineer its protection.
Soundsmith, definitely AFAIC. That’s what I’ve been using for years.
Your recommendation sounds quite strict (“definitely”); do you have experience/compared with retipped Audio Origin styluses?
I am about to receive a retipped MMC20s, which wil now be fitted with a nude shibata (on a aluminium cantilever) in Germany by “FJS-Tonabnehmerservice” / Franz-Josef Schulte, who learned this craft first hand from Axel Schurholz.
I will report when I have listened to it, but just to mention another possibility for retipping by a company with a lot of experience with B&O cartridges.
A nice solution could have been to touch the “pauze” button twice for “stop”, but perhaps that was too complicated to design in those days.
it has the slimline tonearm with the round counterweight (read: easier adjustable tracking force)
Did this newer and lighter tonearm sound different than the previous rectangular arm? It looks less solid to me.
Thank you for responding.
The Beogram 1700 appears not to have a “stop” control-button, like the 1900/1902; a strange omission in my view. Now you have to touch the tonearm to return it after pushing “pauze”.
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